Jacques Prévert

1900 (Neuilly-s-Seine, France) – 1977 (Ormonville-la-Petite)

Prévert met Tanguy and Duhamel on military service, Tanguy in France and Duhamel in Istanbul. Duhamel gave lodging to both (as well as Queneau and Péret), while Breton, Desnos, Aragon and Artaud regularly joined in surrealist activities there (the house became one of the main centres for the movement). Breton, whom he later broke with, said that Prévert did not yet excel except in the art of living. As screenwriter, he worked on films with Renoir, Carné, Grémillon, Ivens, Grimault, and Pierre Prévert; he also worked on an animation with Grimault. Kosma set his words to music, and Gréco sang them.

Hugh MacDiarmid

Christopher Murray Grieve

1892 (Langholm, Scotland) – 1978 (Biggar)

Gibbon was a close friend: they collaborated on a polemical book about Scotland. Trocchi had a famous spat with him at a conference organised by Calder, MacDiarmid calling him “cosmopolitan scum”, but they wrote to one another and became unlikely friends. Pound and he met only once, but got on very well; MacDiarmid said that he loved Pound. Buchan was a colleague, Yeats was met in Ireland, while Eliot turned down as uncommercial a long poem MacDiarmid submitted for publication. MacDiarmid described the 18-year-old Finlay as “very delightful”, but later turned against him.

Henri Chopin

1922 (Paris) – 2008 (Dereham, England)

Chopin (not the composer Frédéric) recorded Hausmann performing old Dada sound-works in the 1950’s, was in a show together with Gysin, and published his work. Heidsieck was a friend and fellow-founder of ‘Domaine Poétique’. Cobbing was among guests at Chopin’s house in Essex, Burroughs a correspondent, and Finlay among his collaborators.

Heinrich Heine

1797 (Düsseldorf, Germany) – 1856 (Paris)

Meyerbeer was his cousin and benefactor. Hegel taught him in Berlin. Schlegel also taught him, and encouraged his writing. Whilst a student, he had an interview with Goethe, amusingly described in later years. In Paris, he frequently met his former teacher Hegel, the Humboldt brothers, and Schleiermacher. Liszt, Berlioz, Dumas, Nerval, Chopin, Balzac, Hugo and Sand were other Paris acquaintances. Marx also knew him at this time, read his poetry and corresponded with him. Engels translated some of his work into English, and visited him when paralysis confined him to bed.

Guillaume Apollinaire

1880 (Rome) – 1918 (Paris)

Apollinaire’s friends and acquaintances largely define the Parisian avant-garde of the early 20th C. He introduced Picasso to Braque (indirectly siring Cubism), watched Chaplin films with Léger, was friends with Jarry, Jacob, Salmon, Cendrars, Derain and Vlaminck, and lived with Laurencin for six years. He coined the term ‘surrealism’ for Satie and Cocteau’s ‘Parade,’ and accompanied Picabia to England. Picasso witnessed his wedding, while he witnessed Severini’s. Derain and Dufy illustrated his early books, Metzinger and de Chirico painted him, while Rousseau portrayed him and Laurencin as Poet and Muse.

Giorgos Seferis

George Seferis

1900 (Smyrna, now Izmir, Turkey) – 1971 (Athens)

Forster was a friend, and visited when he was ambassador in London and writing at 3 a.m. Seferis corresponded with Eliot and (20 years after first being influenced by him) met him: he said he was thinking of giving up his diplomatic job for interfering too much with the subconscious. Valaoritis’ 20-year correspondence with him became a best-selling book; the poets Palamas and Sikelianos were also good friends. Miller gave him his diary as a present when he had to leave Greece, and Durrell wrote enthustically about going to see him at Katsimbalis’s and “giving modern lit a bashing” with them.

Giorgos Seferis knew…

Giorgos Katsimbalis

George Katsimbalis

1899 (Athens) – 1978 (Athens)

Both Miller and Durrell were close friends. Miller described him as a colossus, and made him the subject of a book: Durrell (together with Miller) treasured their passionate discussions about literature and Greece, and later their collective correspondence. Seferis was a close friend and fellow force in Greek literature. The teenage Valaoritis had his work published by Katsimbalis in his journal ‘Ta Nea Grammata’, alongside established poets like Seferis and Elytis (whom he’d also encouraged). Stephanides, a close lasting friend, met him in the Greek artillery during WWl; Friar was another close friend.

Giorgos Katsimbalis knew…

Georges Hugnet

1906 (Paris) – 1974 (Paris)

Hugnet has flown rather under the radar, perhaps because of his multi-disciplinarity. Jacob was his hero as a writer — Hugnet’s downstairs neighbour introduced them. Duchamp, Picasso, Tzara, Man Ray and Cocteau all became friends. Miró knew him and illustrated his work. The expatriate composer Thomson introduced Stein to Hugnet: they collaborated intensively but then argued bitterly. Bellmer was another collaborator; Balthus a witness at his wedding. Tzara introduced him to Breton, who characteristically later expelled him from the Surrealist group for refusing to end his friendship with Éluard. Queneau (acting for the publisher Gallimard) and Picabia were among his correspondents.

Friedrich Schiller

1759 (Marbach, Germany) – 1805 (Weimar)

Schiller met Moritz, Hiller and Weisse as a student. Reinhart became a lifelong friend. He befriended Herder and Wieland while in Weimar, hoping to meet Goethe (who was in fact in Italy). The strength of the intellectual and creative bond with Goethe (whom he eventually got to know after years of tentative approaches) is reflected in their paired tombs. Schlegel, Fichte, Herder, both Humboldts and Hölderlin all contributed to his periodical ‘die Horen’, though Schlegel and he eventually fell out with one another, and Herder disliked him. Schelling, Niethammer and Fichte had all been university colleagues in Jena.