Dante Gabriel Rossetti

1828 (London) – 1882 (Birchington-on-Sea)

Christina was his sister, while Cotman taught him at school. He studied with Brown, tiring of his teaching but staying friends for life. The friendship with Hunt was critical — together with Millais they forged the Pre-Raphaelite philosophy. Further significant friendships began when Rossetti met Morris and Burne-Jones with both still students (even though Rossetti’s technical shortcomings soon showed). Tennyson, Browning and Whistler were friends, and Ruskin a keen but critical patron. Rossetti was a strong and tolerant influence on Swinburne, given the poet’s excesses when they shared a house in Chelsea.

Dante Gabriel Rossetti knew…

William Morris

1834 (Walthamstow, England) – 1896 (London)

Many of Morris’s friends were also close collaborators, living deeply intertwined lives. Rossetti, initially a mentor, became a close colleague (as well as naming his pet wombat after Morris, and falling for his wife); Burne-Jones was a fellow-colleague and lifetime friend. Webb, another friend for life, was met when Morris was an architectural apprentice, while Brown was another colleague and business partner. Engels gave Morris advice on forming a socialist movement but doubted his practicality; Shaw shared many ideals, dined regularly with him, but was miffed when Morris, lecturing around the corner, got all the audience.

William Morris knew…

Robert Louis Stevenson

R. L. Stevenson

1850 (Edinburgh) – 1894 (Vailima, Samoa)

Stevenson wasn’t a great socialiser. When James first came to visit, he was turned away, taken for a tradesman. However they became close lifelong friends; Stevenson gave him a copy of ‘Kidnapped’, and they exchanged letters world-wide. Sargent and Stevenson became friends as young men in Paris, where Sargent had gone to study; he painted three portraits of Stevenson, one destroyed (probably by Mrs Stevenson). Stevenson wrote to Twain that he’d read ‘Huck Finn’ four times; Twain visited him in his Greenwich Village hotel, sat with him in the sun, and wrote about his thin frame and beautiful eyes.

Robert Louis Stevenson knew…

George Eliot

Mary Ann Evans;George Elliot

1819 (Arbury, England) – 1880 (London)

Dickens, a friend and keen supporter, described Lewes and Eliot as the ugliest couple in London (he was also the first to deduce that the author ‘George Eliot’ must be a woman). Eliot met Owen and Emerson when she moved to Coventry and encountered a circle of free-thinkers. As a journalist in London she met Carlyle, whom she admired greatly, Spencer, whom she fell for (unsuitably), Martineau, Thackeray and Browning. Liebig and Liszt (a real friend) were met in Germany. Turgenev (who stayed with her) and James befriended her admiringly. She met Wagner when he visited London, liking him more than his music.

Félicité de Lamennais

Hughes Félicité Robert de Lamennais

1782 (St-Malo, France) – 1854 (Paris)

Sand was a passionate admirer of Lamennais’ brand of Saint-Simonist Christian Socialism; she took Liszt to see him after Liszt was put on trial and sentenced for his political views. Châteaubriand and Lamennais were erstwhile collaborators.

Maxime du Camp

1822 (Paris) – 1894 (Baden Baden, Germany)

Du Camp was as much adventurer as writer. Flaubert was a lifelong intimate friend, sending him his manuscripts for comment before publication. They took a walking tour of Brittany before their 21-month expedition to Egypt, Syria and Palestine (dedicated to the exploration of low-life pursuits as much as to historical remains). Du Camp’s archaeological photographs were pioneering — the first time travel books had used the medium. Gautier was another close friend and associate; the two founded a literary review, in which ‘Madame Bovary’ first appeared. Gray taught him photography; Sand asked Flaubert for du Camp’s address, so she could write to him.

Bjørnstjerne Bjørnson

1832 (Kvikne, Norway) – 1910 (Paris)

Ibsen and Bjørnson met as students; their long up-and-down friendship was held together by a shared belief in a Norwegian national literature among much else. Brandes, befriending Bjørnson, was a strong influence. Grieg worked closely with him, writing music for his verses, but a long rift followed. Andersen was met in Rome (they saw each other almost daily for a month). In Paris, Bjørnson energetically supported his friend Zola over the Dreyfus affair, and was visited by Kielland. Taking a cab with Lie to see Musset’s grave but with nothing to pay the fare, they were showered with abuse and driven back home.

Bjørnstjerne Bjørnson knew…

Gérard de Nerval

1808 (Paris) – 1855 (Paris)

His lifelong schoolfriend Gautier wrote a soul-searching memoir after Nerval’s suicide. They were members of Nodier’s Cénacle, where Hugo and Dumas were ‘stars’, and subsequently of Gautier’s own more bohemian Club des Haschischins, alongside Baudelaire and Delacroix. Nerval happily cultivated his own reputation (so accounts of him leading a lobster named Thibault for walks may have been embellished). He translated his friend Heine’s work, travelled the Rhine and wrote an operetta with Dumas, and was written to by Goethe praising the translations he’d done, aged 19, of his ‘Faust’ (illustrated by Delacroix).

E. T. A. Hoffmann

E. T. A. Hofmann

1776 (Königsberg, Prussia, now Kaliningrad, Russia) – 1822 (Berlin)

Hoffmann moved in the same romanticist circles in Berlin as Chamisso, Fouqué and Tieck, all of whom were present at the dinner where he was revealed as the pseudonymous music critic Johannes Kreisler. Fouqué was particularly close to Hoffmann, and collaborated in some of what was published under Kreisler’s name. Hoffmann wrote music for words by his friends Brentano (among his Berlin circle) and Werner (befriended in Warsaw, though in fact they went further back, Werner’s mother — described as mad — having lived above Hoffmann’s grandmother during Hoffmann’s childhood).

Friedrich de la Motte Fouqué

1777 (Brandenburg) – 1843 (Berlin)

Fouqué was as well-connected in German cultural circles as he was blessed with literary facility. Several of his acquaintances were also literary collaborators, or influenced by him. Schlegel was a strong early influence, and published his first book. Goethe and Fouqué corresponded for years after their meeting in Weimar, when Schiller and Herder were also met. Von Arnim kept in close touch, and Heine was among his circle in Paris. He wrote a libretto for his close friend Hoffmann (Beethoven also considered approaching him.) Kleist, Runge, Tieck, Fichte, Brentano, Friedrich and Weber were among his other acquaintances.