He met his most important future colleagues, Horkheimer and Benjamin, while still a student; Benjamin especially becoming a close friend. Horkheimer helped him get a job in the US, where he worked (and clashed) with Lazarsfeld. Habermas became Adorno’s post-war student and then colleague. Berg (with whom he studied composition) and Schoenberg (a strong influence) were both friends, as were Brecht, Goodman, Lang and Scholem. He collaborated on a book about film music with Eisler, brought his musical knowledge to his friend Mann’s ‘Doctor Faustus’, and wrote to Beckett disapproving bare-breasted student disruption.
Theodor Adorno
Theodor Adorno knew…
- Isaiah Berlin
- Karlheinz Stockhausen
- Thomas Mann
- Lion Feuchtwanger
- Elias Canetti
- Ernst Bloch
- Lotte Lenya
- Siegfried Kracauer
- Hanns Eisler
- Arnold Schoenberg
- Fritz Lang
- Charlie Chaplin
- Gilbert Ryle
- Meyer Schapiro
- Arthur Koestler
- Gershom Scholem
- Walter Benjamin
- Samuel Beckett
- Leszek Kołakowski
- A. J. Ayer
- Georges Bataille
- Bertolt Brecht
- Anton Webern
- Benny Goodman
- Herbert Marcuse
- Jürgen Habermas
- Max Horkheimer
- Paul Celan
- Paul Lazarsfeld
- Alban Berg