Bram Stoker

1847 (Clontarf, Ireland) – 1912 (London)

Stoker knew Wilde’s parents, and married a woman Wilde had courted. He met Doyle, Shaw and Tennyson when he moved to London; he attended Doyle’s wedding, stayed with him and had a letter from him praising ‘Dracula’ when it was published. Whitman had been one of his heroes; they exchanged letters until Whitman’s death — speculation has been aroused by one in which Whitman relays his physical measurements — and met a few times, when Stoker was in America with Irving’s theatre-company (it is untrue that Stoker crossed the Atlantic just to see him). Twain was another American friend.

Bram Stoker knew…

Oscar Wilde

1854 (Dublin) – 1900 (Paris)

Wilde, an attention-seeker, made many passing acquaintanceships in Britain, France and the U.S. Yeats was a friend of his mother, and had Christmas dinner with him. Stoker and he knew each other from Dublin. Whistler was a mentor, friend and competitive sparring-partner. Daudet, Degas, Verlaine, Zola, Goncourt, Toulouse-Lautrec and Schwob (a helpful friend) were among those met in Paris. He procured a boy for Gide in Algiers, and met Longfellow, Alcott, Holmes and Whitman on an American lecture-tour. Morris said he was an ass (but clever); James called him an unclean beast, but nominated him for a London club.

Oscar Wilde knew…

Émile Zola

1840 (Paris) – 1902 (Paris)

Cézanne was a schoolmate in the south of France, and close friend for years. Flaubert was friend and mentor, Maupassant a follower but also, with Huysmans, a collaborator and regular dining companion. As a young journalist, he wrote fearlessly in support of Manet, who with Renoir frequented the same café. He met Mallarmé through Manet, and Turgenev and Daudet through Flaubert. Bjørnson and Mirbeau, both friends, strongly supported him over the Dreyfus affair. Zola’s depiction of a fictional artist heavily based on Cézanne, Monet and Manet finally cost him Cézanne’s friendship, despite Monet and Pissarro’s interventions.

Gustave Flaubert

1821 (Rouen, France) – 1880 (Rouen)

Flaubert was highly regarded by many younger realist writers: Zola, Daudet, the Goncourts and Maupassant (a disciple, whom he badgered to work harder) all met regularly to eat and talk together. Turgenev (introduced by Sainte-Beuve) was also among this circle of friends, and introduced James, who thought Flaubert’s emotional development had stopped at the time of his first epileptic fit. Hugo, more an acquaintance, was a literary influence. Du Camp was a lifelong friend; Flaubert caught syphilis when they dallied in Beirut. Sand (as well as Turgenev) conducted a great and intimate correspondence with him.

Gustave Flaubert knew…

Edith Wharton

1862 (New York) – 1937 (Saint-Brice-sous-Forêt, France)

Longfellow encouraged her teenage writings. Independently wealthy, she surrepticiously supported her close friend James (a strong influence on her own writing), took him out in her car, and promoted him unsuccessfully for a Nobel Prize. Conrad, Gide, Cocteau, Lewis and her friend Huxley all visited her in Provence. Despite reading Proust avidly and having friends in common, she never met him. Fitzgerald famously visited her outside Paris, but in nervous anticipation had apparently drunk too much beforehand; he tried to impress, she was unamused, it was a disaster.

William Dean Howells

1837 (Martinsville, Ohio) – 1920 (New York)

Howells is better-known for his talent-spotting and nurturing of new writers than for his own under-appreciated work. His two most important literary relationships were with James and Twain: James (whom he encouraged) was close for over fifty years, and Twain (whom he was influential in getting accepted seriously) for forty, the friendship eventually derailed over their love and hate of tobacco. Holmes (who lived two doors away), Whitman, Thoreau, Hawthorne and Emerson were met when Howells moved as a young man to Boston. Wharton (who became a friend) and Crane were among the many writers he brought to notice.

William Dean Howells knew…

Henry David Thoreau

1817 (Concord, Mass.) – 1862 (Concord)

Thoreau, not as reclusive as reputed, was friends (often close) with many authors of mid-19th-century classics. He worked for his neighbour and mentor Emerson as tutor, handyman and gardener. Hawthorne was a fireside companion, described his ugliness as honest and agreeable, and took him to dine with Longfellow. Whitman gave him a personal copy of ‘Leaves of Grass’. Thoreau told Louisa May Alcott how frogs were more confiding in the spring (she said that his beard would deflect amorous advances). He built a fancy summerhouse for her father, and sent Agassiz specimens from Walden Pond at age 12.

Henry David Thoreau knew…

Ralph Waldo Emerson

1803 (Boston, Mass.) – 1882 (Concord, Mass.)

Whitman described him as “sane and clear as the sun.” Emerson gathered a community around him in Concord, including Hawthorne, Alcott, Fuller and Thoreau (a treasured friend and protégé, whose cabin by Walden Pond was built on Emerson’s land). He was supportive both of Alcott’s utopian projects, and (strongly at first) of Whitman’s ‘Leaves of Grass.’ James’ father was a disciple, and got Emerson to be his son’s godfather. Holmes also knew him, and wrote about his thoughtful mode of speech. He met Coleridge, Wordsworth, Mill and Carlyle (a strong influence and lifelong correspondent) on a visit to Britain.

William Makepeace Thackeray

1811 (Calcutta, now Kolkata) – 1863 (London)

Tennyson was a friend from university, where Whewell was Thackeray’s rather distant tutor; Thackeray also met Goethe aged 19 or 20 on a journey to Weimar, though it’s unclear whether he made any impression on the old man. Leigh Hunt championed Thackeray’s work, while Eliot, Trollope and the Brownings were befriended as part of a London literary circle. Dickens had been a good friend, but they sustained a petty feud for years before being reconciled through a chance meeting on a London club doorstep . Vigny befriended Thackeray during a long stay in London. Carlyle described him as “of enormous appetite.”

John Ruskin

1819 (London) – 1900 (Coniston)

Ruskin inspired and supported Hunt, Rossetti and Burne-Jones, though he turned on his former protégé Millais after his own wife found solace with him. Thackeray published his provocative essays. Carlyle was a great friend and influence, while he himself met and strongly influenced Morris. He followed his friend Carroll in ‘adopting’ the Liddell girls, and taught Wilde, who said he’d participated in his road-building schemes. Having set out promoting Turner’s work over artists of the past, he met and befriended him; deeply shocked by the erotic sketches he found after Turner’s death, he probably didn’t, as claimed, burn them.