Miró, Léger, Hélion and Arp were friends in Paris, Léger writing a catalogue introduction. A visit to Mondrian “shocked” Calder into embracing colour and abstraction in his sculpture. Duchamp, another Paris friend, seeing how transportable his work was, arranged an exhibition after Calder had returned to the U.S., and came up with the word ‘mobile’ (Arp supplying ‘stabile’). Richter included a Calder sequence in a film of his, and introduced him to Huelsenbeck, who said he had foxy eyes. He designed sets for Graham, while Sert invited him to make a mercury fountain in honour of miners who had resisted Franco.
Alexander Calder
Alexander Calder knew…
- György Kepes
- George Antheil
- Marcel Breuer
- Theo van Doesburg
- Richard Huelsenbeck
- Pablo Picasso
- Marino Marini
- Marcel Duchamp
- Joan Miró
- Jean Hélion
- Jean Cocteau
- Jacques Prévert
- Hans Richter
- Hans Arp
- Georges Braque
- Fernand Léger
- André Masson
- André Breton
- Edgard Varèse
- Constantin Brancusi
- Ben Nicholson
- Barbara Hepworth
- Jean Painlevé
- Charlotte Perriand
- Josep Lluis Sert
- Piet Mondrian
- Saul Steinberg
- Martha Graham
- Isamu Noguchi
- Marianne Moore
- Alberto Giacometti
- Amédée Ozenfant
- Henri Laurens