Piscator (even before Brecht) evolved socio-politically-engaged ‘epic theatre’; his radical approaches to staging have been massively influential. He was Brecht’s mentor, colleague and friend. Gropius designed a theatre for him; Heartfield, Grosz and Moholy-Nagy designed sets. Huelsenbeck, Eisler and Weill were friends both in Berlin and in New York (where Brando, Williams, Malina and Belafonte were among his students). Mann, Ruttmann, Pabst, Lenya, Toller, Meisel, Nono, Hochhuth, Warren and Weiss were among his many collaborators. He went to meet Reinhardt in Salzburg, while Craig bore Goebbels’ plea to him in Moscow.
Erwin Piscator
Erwin Piscator knew…
- Sergei Eisenstein
- Walter Gropius
- Marcel Breuer
- Walter Mehring
- Heinrich Mann
- Lion Feuchtwanger
- Rudolf Schlichter
- Hanns Eisler
- Egon Erwin Kisch
- Georg Wilhelm Pabst
- Ernst Toller
- Max Reinhardt
- Kurt Weill
- Alfred Döblin
- Luigi Nono
- Judith Malina
- Wieland Herzfelde
- Richard Huelsenbeck
- Marlon Brando
- László Moholy-Nagy
- John Heartfield
- George Grosz
- Franz Jung
- Bertolt Brecht
- Béla Balázs
- Edmund Meisel
- Edward Gordon Craig
- Harry Belafonte
- Lan-fang Mei
- Lee Strasberg
- Lotte Lenya
- Peter Weiss
- Robert Penn Warren
- Rolf Hochhuth
- Stella Adler
- Walter Ruttmann
- Tennessee Williams
- Alfred Döblin